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Tag: Barbican

Genesis Suite – mediocre music, great idea

Posted on February 2, 2018February 4, 2018 by Michael Church
Genesis Suite, Barbican, 13.1.18   In 1943, as news of the Holocaust and the mass flight of refugees was coming through, a Jewish New York musician named Nat Shilkret had an idea for a musical re... Read More

The LSO Metamorphosen…

Posted on December 14, 2017December 14, 2017 by Michael Church
Simon O’Neill/Christian Gerhaher/London Symphony Orchestra/Simon Rattle: Barbican, 13.12.17   The last major work composed by Richard Strauss, and also by a mile the most beautiful, Metamorphos... Read More

En passant: Celebrating Charpentier…Daniil Trifonov’s Achilles heel… the wonderful Arts Florissants…

Posted on December 13, 2017December 13, 2017 by Michael Church
Early Opera Company,Wigmore Hall, 8.12.17   Everyone knows the overture to Marc-Antoine Charpentier’s Te Deum, though few have heard of that seventeenth-century French composer. After being pre... Read More

Stimmung at 40

Posted on November 21, 2017November 22, 2017 by Michael Church
Singcircle, Barbican, 20.11.17   Three men and three women, each with a microphone, seated in a semi-circle round a table on which a luminous globe had been placed: seven ascending notes, and a s... Read More

IPM critical round-ups 40 and 41

Posted on March 20, 2017March 22, 2017 by Michael Church
IPM roundup 40 Wigmore Hall: Sunwook Kim Oct 25; Alexei Volodin Nov 2; Martha Argerich and Alberto Portugheis December 12; Beatrice Rana Jan 16; Luca Buratto 23 Jan; Barbican: Daniil Trifonov Jan 21; ... Read More

Elbphilharmonie – Barbican – concert halls go political

Posted on January 17, 2017March 21, 2017 by Michael Church
ON OCTOBER 31st, the lights on Hamburg’s Elbphilharmonie concert hall spelled out “fertig”—“finished”. That heralded a monumental wave of relief, for the history of this crazily ambitious ... Read More

In praise of Semyon Bychkov

Posted on October 10, 2016October 18, 2016 by Michael Church
When Semyon Bychkov raises his baton at the start of his Tchaikovsky series at London’s Barbican next week [Oct 19], the hall will be packed, as will New York’s Lincoln Center when he repeats the ... Read More

Parissa and Meshk at the Barbican’s Transcender festival

Posted on October 6, 2016October 18, 2016 by Michael Church
Words are of limited usefulness in evoking music, but we critics aren’t usually lost for them, so it came as a surprise to find, the morning after the Meshk Ensemble’s performance at the Barbican... Read More

The Barbican’s new Centre for Music – the case against

Posted on January 15, 2016March 21, 2017 by Michael Church
(The first in an irregular series of musical blogs.) From now on, every time Simon Rattle raises his baton at the Barbican he will offer a hostage to fortune: the more musically successful the concert... Read More
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