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The magical Sergei Babayan

Posted on June 19, 2019June 20, 2019 by Michael Church
Sergei Babayan, Wigmore hall Hot on the heels of Daniil Trifonov’s triumphant residency at the Barbican came the man responsible for channelling the young Russian’s talent – Sergei Babayan. And ... Read More

Janacek’s ‘Diary’ gets a post-modern twist

Posted on June 9, 2019June 14, 2019 by Michael Church
The Diary of One Who Disappeared, Linbury Theatre, London Janacek’s unrequited 11-year infatuation with Kamila Stösslova – 37 years younger and happily married – gave rise to two of his greates... Read More

Opera Holland Park – a hit and a shocking miss

Posted on June 9, 2019June 11, 2019 by Michael Church
Un ballo in maschera/Manon Lescaut; Opera Holland Park, London Holland Park’s mini-Glyndebourne is now open for business, and in Rodula Gaitanou’s production of Verdi’s Un ballo in maschera it ... Read More

Alagna’s 100th ROH appearance: fine, but overshadowed by Radvanovsky

Posted on May 21, 2019May 24, 2019 by Michael Church
Andrea Chenier, Royal Opera House In making the title role of Umberto Giordano’s Andrea Chénier the vehicle for his hundredth Covent Garden appearance, Roberto Alagna has made a wise choice. As a ... Read More

Phage medicine – at last the BBC and the press wake up

Posted on May 9, 2019May 13, 2019 by Michael Church
‘Why haven’t we heard about phages before?’ asked Evan Davis brightly on the ‘PM’ programme on May 2. He was referring to the ‘new’ miracle cure which had jus... Read More

Anderszewski celebrates his fiftieth at the Wigmore in typically unorthodox style

Posted on May 4, 2019May 21, 2019 by Michael Church
Piotr Anderszewski, Wigmore Hall In the strait-laced world of concert pianism, Piotr Anderszewski has long been the joker in the pack. He’s capable of delivering a witty bar-by-bar analysis of his ... Read More

Giving the lie to Adams

Posted on May 2, 2019May 2, 2019 by Michael Church
LSO/Simon Rattle, Barbican As a deity whose acolytes believed he had pulled down the palace of traditional tonality, Arnold Schoenberg invited iconoclasm; the only surprise is that the response took ... Read More

Isango – a brave new township ensemble

Posted on April 17, 2019May 1, 2019 by Michael Church
A Man of Good Hope, Linbury Theatre, London A show with many progenitors will either flop or develop synergy, and it’s nice to report that A Man of Good Hope does the latter. Co-produced by the Roya... Read More

ROH Faust – a triumphant evening despite a string of replacements

Posted on April 13, 2019April 13, 2019 by Michael Church
Faust,  Royal Opera House, London Some operas have to be taken in the spirit of the times out of which they sprang, and this applies particularly to Gounod’s Faust. Nobody today could accept its ca... Read More

Peter Sellars’ and Simon Rattle’s OAE St John Passion

Posted on April 3, 2019April 13, 2019 by Michael Church
Orchestra and Choir of the Age of Enlightenment/Rattle,  Royal Festival Hall Should Bach’s Passions be staged? They increasingly are, and there are good supporting arguments, particularly in the ca... Read More
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Recent Posts

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  • London – live piano round-up February 2026
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