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Opera Holland Park’s lovely Traviata

Posted on June 8, 2018June 10, 2018 by Michael Church
La Traviata, Opera Holland Park, London While Richard Eyre’s ironclad Traviata draws the crowd year in year out at Covent Garden, English National Opera repeatedly tries and fails to come up with a ... Read More

Netia Jones misses the point of the Flute

Posted on June 8, 2018June 10, 2018 by Michael Church
Die Zauberflöte, Garsington Opera at Wormsley When the lights go up on Netia Jones’s production of Die Zauberflöte, we see that she’s turned the stage into a near-simulacrum of the formal garde... Read More

A supremely elegant Capriccio at Garsington

Posted on June 8, 2018June 10, 2018 by Michael Church
The most amazing thing about Richard Strauss’s final opera is when and where it was first performed: Munich in 1942, when those who turned up to see it did so despite the risk of being caught in an ... Read More

In praise of Paul Lewis

Posted on June 8, 2018June 10, 2018 by Michael Church
Paul Lewis, Royal Festival Hall, London The British pianist Paul Lewis doesn’t have a wide repertoire, but he focuses on his chosen composers with white-hot intensity. For a while this meant wall-to... Read More

David Alden’s Lohengrin

Posted on June 8, 2018June 8, 2018 by Michael Church
Lohengrin, Royal Opera House, London Just have faith in our love, says Elsa’s white knight after his arrival in a boat pulled by a swan, making it a condition of matrimony that she should never ask ... Read More

Benjamin’s ‘Lessons’ – lamed by a disastrous libretto

Posted on May 13, 2018May 23, 2018 by Michael Church
Lessons in Love and Violence, Royal Opera House   George Benjamin’s last opera, Written on Skin, has had such glittering international success – notching up more productions per year than Bri... Read More

Aimard’s Ligeti

Posted on May 13, 2018May 23, 2018 by Michael Church
Pierre-Laurent Aimard’s performance of eighteen Ligeti Etudes at the Queen Elizabeth Hall on May 12 – faster than ever, and negotiating without missing a beat the collapse of several loos... Read More

Frederic Rzewski, Igor Levit, Annette Morreau – and the creation of a new work

Posted on April 14, 2018June 7, 2018 by Michael Church
Igor Levit, Wigmore Hall It isn’t often critics put their money where their mouth is and commission new works, but that’s what Annette Morreau has generously done – in tandem with the Wigmor... Read More

Lady Macbeth of Mtsensk – Richard Jones’s superb version

Posted on April 13, 2018June 7, 2018 by Michael Church
Lady Macbeth of Mtsensk, Royal Opera House   Like Thomas Hardy with his condemned Tess – ‘a pure woman’ – Dmitry Shostakovich saw the merchant’s wife Katerina Ismailova, aka his double-... Read More

Chineke! ushers in a triumphant makeover for the Queen Elizabeth Hall

Posted on April 10, 2018June 7, 2018 by Michael Church
Chineke! Queen Elizabeth Hall   Over the last half-century the outbuildings of the Royal Festival Hall have been threatened with one grandiose makeover after another: people have always been ambi... Read More
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