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Tag: Wigmore Hall

London recitals: Montero, Trifonov, Gavric, Olafsson, Jacobson

Posted on February 2, 2018February 4, 2018 by Michael Church
  Wigmore Hall: Gabriela Montero, Nov 14; Daniil Trifonov, Dec 7u; Ivana Gavric, Dec 28 St John’s Smith Square: Vikingur Olafsson, Nov 15; Julian Jacobson, Nov 26 It’s not keyboard artistry w... Read More

The heroism of Angela Hewitt

Posted on February 2, 2018February 3, 2018 by Michael Church
Angela Hewitt, Wigmore Hall, 26.1.18 There’s something heroic about Angela Hewitt’s Bach. This Canadian pianist has made Bach’s keyboard music the core of her performing life, twice taking it on... Read More

Ferschtman and Rabinovich… Schiff…Perenyi…

Posted on December 31, 2017January 6, 2018 by Michael Church
Liza Ferschtman/Roman Rabinovich, Wigmore Hall, 30.12.17   Roman Rabinovich – credit Balazs Borocz When a work is described as ‘uncommonly difficult for all concerned’, as Gerald Larner... Read More

En passant: Celebrating Charpentier…Daniil Trifonov’s Achilles heel… the wonderful Arts Florissants…

Posted on December 13, 2017December 13, 2017 by Michael Church
Early Opera Company,Wigmore Hall, 8.12.17   Everyone knows the overture to Marc-Antoine Charpentier’s Te Deum, though few have heard of that seventeenth-century French composer. After being pre... Read More

Savall at the Wigmore

Posted on October 30, 2017November 4, 2017 by Michael Church
Jordi Savall and Hesperion Ensemble, Wigmore Hall, 29.10.17   Who said the Wigmore Hall, the world’s temple of chamber music, was stuffy? Disregard for a moment the devoted crowd who routinely ... Read More

En passant: a woeful ENO Aida, but a triumphant Barber… Sheku Kanneh-Mason’s first recital… Faust and Melnikov play Mozart…and Covent Garden revives its Vepres siciliennes…

Posted on October 16, 2017October 17, 2017 by Michael Church
Aida, Coliseum An opera house needs a story to launch the season, and ENO had three. First, their chief executive had suddenly announced her premature departure. Second, Aida would be the first chance... Read More

En passant: Yuja Wang… Jean-Guihen Queyras… La nuova musica…War of the Granges…Yardbird

Posted on April 26, 2017July 19, 2017 by Michael Church
Yuja Wang, Royal Festival Hall The elfin Yuja Wang has now reached thirty, so must be judged by grown-up standards. A shame that she ducked out of the ‘Hammerklavier’ Sonata originally billed for ... Read More

IPM critical round-ups 40 and 41

Posted on March 20, 2017March 22, 2017 by Michael Church
IPM roundup 40 Wigmore Hall: Sunwook Kim Oct 25; Alexei Volodin Nov 2; Martha Argerich and Alberto Portugheis December 12; Beatrice Rana Jan 16; Luca Buratto 23 Jan; Barbican: Daniil Trifonov Jan 21; ... Read More

Is ‘late style’ a meaningful critical concept?

Posted on March 20, 2017January 12, 2018 by Michael Church
Out, brief candle! As life nears its end, thoughts can acquire urgent clarity. This truth may not be particularly perceptible in literature, because novelists find endless ways of disguising it. But i... Read More

Nick van Bloss – and how he harnessed his Tourette’s syndrome

Posted on September 7, 2016June 7, 2018 by Michael Church
In 2011 I published the profile below of the pianist Nick van Bloss in ‘The Independent on Sunday’, at a time when he was taking tentative steps towards a renewed concert and recording ca... Read More
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