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Tag: Barbican

Review round-up for piano recitals in Spring 2025

Posted on February 25, 2025July 26, 2025 by Michael Church
Michael Church – live roundup March 2025   Wigmore Hall: Roman Rabinovich 17 Nov; Jean-Efflam Bavouzet, 27 Nov; Nikolai Lugansky 8 Dec; Kit Armstrong 22 Dec; Danny Driver 2 Jan 2025; Alim Beise... Read More

Giving the lie to Adams

Posted on May 2, 2019May 2, 2019 by Michael Church
LSO/Simon Rattle, Barbican As a deity whose acolytes believed he had pulled down the palace of traditional tonality, Arnold Schoenberg invited iconoclasm; the only surprise is that the response took ... Read More

‘Weinte bitterlich’ – and how to sing it

Posted on March 20, 2019March 20, 2019 by Michael Church
There are two words – ‘weinte bitterlich’- in a recitative in Bach’s darkly dramatic Johannespassion when the Evangelist must negotiate his path alone through a frenzy of melodic and emotional... Read More

Gerstein, Ohlsson, Hewitt, and the magic of Arcadi Volodos

Posted on March 8, 2019March 14, 2019 by Michael Church
Recital round-up No 53 for International Piano Magazine – April 2019 Wigmore Hall: Kirill Gerstein, Feb 24; Garrick Ohlsson, Feb 27 Royal Festival Hall: Angela Hewitt, Feb 26 Barbican: Arcadi Volodo... Read More

Trifonov’s perennial mistake

Posted on February 18, 2019February 21, 2019 by Michael Church
Trifonov/LSO/Rattle, Barbican The Barbican is building a series of concerts round the young Russian pianist Daniil Trifonov, and his talent deserves the accolade. For his first outing he chose to pla... Read More

Sokolov, Kissin, Schiff at Verbier; Ming Xie and Babayan at the Wigmore; Rorberts at the Barbican

Posted on September 20, 2018September 23, 2018 by Michael Church
Verbier can still spring surprises, even at the venerable age of twenty-five. Marking that anniversary with a gala concert this summer, they corralled more musical celebrities on stage than had ever b... Read More

Turnage’s ‘Coraline’ – promising, but still a work in progress

Posted on April 2, 2018April 2, 2018 by Michael Church
Coraline, Barbican From the composer of the viscerally-shocking Greek and the in-yer-face Anna Nicole, now comes a ‘family friendly’ opera: Coraline marks yet another twist in the creative progres... Read More

Kissin at the Barbican

Posted on March 30, 2018April 1, 2018 by Michael Church
Evgeny Kissin, Barbican Now forty-seven, Evgeny Kissin is no longer music’s most miraculous child: he’s become a trim and stately middle-aged gent, and his pianism has matured commensurately. Itâ€... Read More

Dead Man Walking – a natural for ENO?

Posted on February 21, 2018February 21, 2018 by Michael Church
Dead Man Walking, Barbican, 20.2.18 First the back story. A nun named Sister Helen Prejean was asked to write to a convict on death row in Louisiana who was due to die for a double murder; she accompa... Read More

Genesis Suite – mediocre music, great idea

Posted on February 2, 2018February 4, 2018 by Michael Church
Genesis Suite, Barbican, 13.1.18   In 1943, as news of the Holocaust and the mass flight of refugees was coming through, a Jewish New York musician named Nat Shilkret had an idea for a musical re... Read More
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Recent Posts

  • Nikolai Lugansky ploughs his own furrow with mixed results
  • Review round-up for piano recitals in Spring 2025
  • A hit and a terrible own-goal at ENO
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