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Month: September 2018

ENO’s new Salome, alas

Posted on September 29, 2018October 7, 2018 by Michael Church
Salome, English National Opera ‘We begin in darkness,’ proclaims an essay by Elena Manafi in the programme, ‘a confrontation with the abyss of the feminine.’ Adena Jacobs’s new production of... Read More

Sokolov, Kissin, Schiff at Verbier; Ming Xie and Babayan at the Wigmore; Rorberts at the Barbican

Posted on September 20, 2018September 23, 2018 by Michael Church
Verbier can still spring surprises, even at the venerable age of twenty-five. Marking that anniversary with a gala concert this summer, they corralled more musical celebrities on stage than had ever b... Read More

Paul Bunyan at Wilton’s

Posted on September 20, 2018September 23, 2018 by Michael Church
Paul Bunyan, ENO at Wilton’s As the poet Stephen Spender lamented, Britain never got the great opera which should have resulted from that seemingly dream pairing, Benjamin Britten and WH Auden. The... Read More

Tosca in Leeds

Posted on September 20, 2018September 22, 2018 by Michael Church
Tosca, Grand Theatre, Leeds Post-Weinstein, and following revelations of world-wide corruption in the Catholic church, recent history has played into the hands of any director who wants to give Puccin... Read More

The Leeds International Piano Comnpetition, 2018

Posted on September 20, 2018September 22, 2018 by Michael Church
Leeds International Piano Competition, 2018 When the redoubtable Fanny Waterman set up the Leeds Piano Competition in 1963, no one could have predicted its longevity, or the effect it would have on pi... Read More

An anti-Brexit Prom

Posted on September 20, 2018September 23, 2018 by Michael Church
The Last Prom 2018, Royal Albert Hall The Proms always go out on a high, if you discount the last one whose interest is political rather than musical. In Prom 72, the Royal Scottish National Orchestra... Read More

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