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La tragedie de Carmen at Wilton’s

Posted on November 6, 2017November 6, 2017 by Michael Church
La tragédie de Carmen, Wilton’s Music Hall, London   Wilton’s Music Hall is a charming and perfectly-preserved remnant of London’s historic East End, and it’s still serving the purpose f... Read More

The Emersons play the Grosse Fuge

Posted on November 2, 2017November 2, 2017 by Michael Church
Emerson Quartet, St John’s Smith Square, London, 1.11.17   ‘Incomprehensible’ was one leading critic’s verdict when Beethoven’s Grosse Fuge was premiered in 1825. ‘This work will be c... Read More

Savall at the Wigmore

Posted on October 30, 2017November 4, 2017 by Michael Church
Jordi Savall and Hesperion Ensemble, Wigmore Hall, 29.10.17   Who said the Wigmore Hall, the world’s temple of chamber music, was stuffy? Disregard for a moment the devoted crowd who routinely ... Read More

En passant: the OAE’s triumphant Semele… And a patchy ENO Rodelinda

Posted on October 19, 2017October 30, 2017 by Michael Church
Semele, Royal Festival Hall, 18.10.17 I’ve seen quite a few stage productions of Handel’s Semele, but I can’t remember one as dramatic as the one I’ve just heard by the Orchestra of the Age of... Read More

En passant: a woeful ENO Aida, but a triumphant Barber… Sheku Kanneh-Mason’s first recital… Faust and Melnikov play Mozart…and Covent Garden revives its Vepres siciliennes…

Posted on October 16, 2017October 17, 2017 by Michael Church
Aida, Coliseum An opera house needs a story to launch the season, and ENO had three. First, their chief executive had suddenly announced her premature departure. Second, Aida would be the first chance... Read More

En passant: Tom Cairns’s Traviata… Andras Schiff’s majestic Bach…

Posted on August 16, 2017September 8, 2017 by Michael Church
La traviata, Glyndebourne Festival Opera, 2017   La traviata may be one of that small handful of operas which everyone loves, but since the revival of Tom Cairns’s production is turning out to ... Read More

A profile of Ekaterina Semenchuk

Posted on August 6, 2017August 7, 2017 by Michael Church
  ‘If I were a gambler,’ I wrote in The Independent seventeen years ago, ‘I’d put serious money on a 23-year-old Russian mezzo who will make her discreet solo UK debut in a Suffolk church... Read More

Evgeny Kissin, a child of history

Posted on July 6, 2017July 26, 2017 by Michael Church
Emerging from a rare sabbatical, Evgeny Kissin – the world’s most acclaimed classical pianist – has just published his autobiography. He has also just married a childhood friend, and he’s ... Read More

En passant: Graham Vick’s ‘Mitridate’ – still original after 26 years… and the evergreen Turandot… and an interesting Proms experiment

Posted on June 27, 2017September 26, 2017 by Michael Church
Mitridate, re di Ponto, Royal Opera house, London   Nobody ever talks about Graham Vick’s 26-year-old production of Mitridate, re di Ponto – it seemed to have sunk without trace – but Coven... Read More

Netia Jones at Aldeburgh

Posted on June 3, 2017July 19, 2017 by Michael Church
‘If there’s no blood, there’s no entertainment,’ shouts Netia Jones, as her Puck catapults himself high into the air, and lands with a sickening thump on the rehearsal room floor. ‘Gosh – ... Read More
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