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Oedipe at the Royal Opera House: a revelation

Posted on May 24, 2016June 20, 2018 by Michael Church
Given its accessibility and musical magnificence, it seems extraordinary that Enescu’s Oedipe – premiered in Paris in 1936 – should have had to wait until now for its British premiere. But... Read More

Royal Philharmonic Society award for The Other Classical Musics

Posted on May 17, 2016September 6, 2016 by Michael Church
On the 10th of May 2016, the Royal Philharmonic Society presented its annual gongs, and I am delighted to report that The Other Classical Musics won the Creative Communication award. An extract fr... Read More

The Barbican’s new Centre for Music – the case against

Posted on January 15, 2016March 21, 2017 by Michael Church
(The first in an irregular series of musical blogs.) From now on, every time Simon Rattle raises his baton at the Barbican he will offer a hostage to fortune: the more musically successful the concert... Read More

Welcome

Posted on November 28, 2015January 15, 2016 by Micetrow
Welcome to Michael Church’s blog, posting about the newly published The Other Classical Musics from January 2016 and on other topics thereafter.... Read More
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Recent Posts

  • Classical events under Covid
  • How not to present a Live Prom
  • Rule Britannia: a storm in a teacup, capitalised on by Johnson and the Mail
  • John Gilhooly’s Wigmore leads the charge
  • Prom No 1 – good in parts

Recent Comments

  • D irvine on Phage medicine – at last the BBC and the press wake up
  • Richard Seymour Roques on Phage medicine – at last the BBC and the press wake up
  • Adam on Anderszewski celebrates his fiftieth at the Wigmore in typically unorthodox style
  • Nicholas on Anderszewski celebrates his fiftieth at the Wigmore in typically unorthodox style
  • Anna Basaldua on Anderszewski celebrates his fiftieth at the Wigmore in typically unorthodox style

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