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Steven Isserlis rampant

Posted on October 20, 2016March 21, 2017 by Michael Church
Should we know the story behind the creation of a piece of music, or should we let it speak for itself? The British cellist Steven Isserlis poses this question in the liner note to a CD he has just re... Read More

IPM recital round-up No 39: the poetry of Llyr Williams, the heroism of Nick van Bloss, plus Igor Levit, Angela Hewitt, Jeremy Denk, and Geoffrey Saba

Posted on October 18, 2016October 20, 2016 by Michael Church
The Wigmore Hall is running two Beethoven sonata cycles in tandem, at different speeds: while Igor Levit gets stuck into his cycle, Llyr Williams continues his in a more leisurely arc. And since in Oc... Read More

In praise of Semyon Bychkov

Posted on October 10, 2016October 18, 2016 by Michael Church
When Semyon Bychkov raises his baton at the start of his Tchaikovsky series at London’s Barbican next week [Oct 19], the hall will be packed, as will New York’s Lincoln Center when he repeats the ... Read More

Parissa and Meshk at the Barbican’s Transcender festival

Posted on October 6, 2016October 18, 2016 by Michael Church
Words are of limited usefulness in evoking music, but we critics aren’t usually lost for them, so it came as a surprise to find, the morning after the Meshk Ensemble’s performance at the Barbicanâ... Read More

En passant… a King’s Head pocket Boheme…Angela Hewitt’s Bach Odyssey…Sellars’ Stravinsky…Anna Bonitatibus…ETO’s Xerxes, La Calisto, and Il ritorno d’Ulisse…Levit v Williams…

Posted on September 22, 2016June 7, 2018 by Michael Church
When Dan Crawford established the King’s Head Theatre in 1970, it seemed the sort of venture which might burn brightly for a year or two, then fizzle out like other bright ideas from the Sixties: to... Read More

A fusion at Darbar 2016…And one at the Club Inégales…

Posted on September 17, 2016June 7, 2018 by Michael Church
Ever since Yehudi Menuhin and Ravi Shankar made their ground-breaking record East Meets West during London’s first flush of enthusiasm for the sounds of Rajasthan, musicians on both sides of the cla... Read More

Prom 71 – Trifonov’s mistaken approach to Mozart

Posted on September 8, 2016March 21, 2017 by Michael Church
Twenty-five-year-old Daniil Trifonov, currently basking in mega-stardom, may not be the best of the young pianists to have recently emerged from the former Soviet bloc – the Uzbek Behzod Abdurai... Read More

Nick van Bloss – and how he harnessed his Tourette’s syndrome

Posted on September 7, 2016June 7, 2018 by Michael Church
In 2011 I published the profile below of the pianist Nick van Bloss in ‘The Independent on Sunday’, at a time when he was taking tentative steps towards a renewed concert and recording ca... Read More

PCM 8 Cadogan; Prom 69 Barenboim – 2016

Posted on September 6, 2016September 6, 2016 by Michael Church
Soprano Carolyn Sampson, counter-tenor Iestyn Davies, and pianist Joseph Middleton gave a lunchtime Prom at the Cadogan Hall which was chamber music of the highest quality. The first half consisted of... Read More

Proms 67 and 68: Bolivars and Semiramide – 2016

Posted on September 5, 2016September 9, 2016 by Michael Church
Every time Gustavo Dudamel brings his Simon Bolivar Symphony Orchestra to London, they get a bit better: once a spirited youth orchestra, they are now grown up, and in technical terms approaching inte... Read More
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