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Category: Reviews

En passant: Yuja Wang… Jean-Guihen Queyras… La nuova musica…War of the Granges…Yardbird

Posted on April 26, 2017July 19, 2017 by Michael Church
Yuja Wang, Royal Festival Hall The elfin Yuja Wang has now reached thirty, so must be judged by grown-up standards. A shame that she ducked out of the ‘Hammerklavier’ Sonata originally billed for ... Read More

IPM critical round-ups 40 and 41

Posted on March 20, 2017March 22, 2017 by Michael Church
IPM roundup 40 Wigmore Hall: Sunwook Kim Oct 25; Alexei Volodin Nov 2; Martha Argerich and Alberto Portugheis December 12; Beatrice Rana Jan 16; Luca Buratto 23 Jan; Barbican: Daniil Trifonov Jan 21; ... Read More

Timothy Hyman’s ‘The World New Made’ – an alternative history of twentieth-century painting

Posted on March 20, 2017May 27, 2017 by Michael Church
The World New Made: Figurative Painting in the Twentieth Century By Timothy Hyman Thames and Hudson 256 pp Ever since Tom Wolfe published his blistering polemic The Painted Word in 1975, it’s been a... Read More

En passant: Phantasm…ROH Rosenkavalier…Trevor Pinnock…Cuarteto Casals…ROH Traviata…Miller’s Rigoletto…Ekaterina Semenchuk

Posted on October 25, 2016March 29, 2018 by Michael Church
  Why should the sound of a consort of four viols be more moving than that of a string quartet? It goes against all logic. With its flat back, and played like a Middle-Eastern spike-fiddle, the v... Read More

IPM recital round-up No 39: the poetry of Llyr Williams, the heroism of Nick van Bloss, plus Igor Levit, Angela Hewitt, Jeremy Denk, and Geoffrey Saba

Posted on October 18, 2016October 20, 2016 by Michael Church
The Wigmore Hall is running two Beethoven sonata cycles in tandem, at different speeds: while Igor Levit gets stuck into his cycle, Llyr Williams continues his in a more leisurely arc. And since in Oc... Read More

Parissa and Meshk at the Barbican’s Transcender festival

Posted on October 6, 2016October 18, 2016 by Michael Church
Words are of limited usefulness in evoking music, but we critics aren’t usually lost for them, so it came as a surprise to find, the morning after the Meshk Ensemble’s performance at the Barbicanâ... Read More

En passant… a King’s Head pocket Boheme…Angela Hewitt’s Bach Odyssey…Sellars’ Stravinsky…Anna Bonitatibus…ETO’s Xerxes, La Calisto, and Il ritorno d’Ulisse…Levit v Williams…

Posted on September 22, 2016June 7, 2018 by Michael Church
When Dan Crawford established the King’s Head Theatre in 1970, it seemed the sort of venture which might burn brightly for a year or two, then fizzle out like other bright ideas from the Sixties: to... Read More

A fusion at Darbar 2016…And one at the Club Inégales…

Posted on September 17, 2016June 7, 2018 by Michael Church
Ever since Yehudi Menuhin and Ravi Shankar made their ground-breaking record East Meets West during London’s first flush of enthusiasm for the sounds of Rajasthan, musicians on both sides of the cla... Read More

Prom 71 – Trifonov’s mistaken approach to Mozart

Posted on September 8, 2016March 21, 2017 by Michael Church
Twenty-five-year-old Daniil Trifonov, currently basking in mega-stardom, may not be the best of the young pianists to have recently emerged from the former Soviet bloc – the Uzbek Behzod Abdurai... Read More

PCM 8 Cadogan; Prom 69 Barenboim – 2016

Posted on September 6, 2016September 6, 2016 by Michael Church
Soprano Carolyn Sampson, counter-tenor Iestyn Davies, and pianist Joseph Middleton gave a lunchtime Prom at the Cadogan Hall which was chamber music of the highest quality. The first half consisted of... Read More
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