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Tag: Royal Opera House

A triumphant Katya Kabanova from Richard Jones

Posted on February 7, 2019February 8, 2019 by Michael Church
Katya Kabanova, Royal Opera House It never rains but it pours: three productions of Janacek’s Katya Kabanova running in the same week – excellent ones from Scottish Opera and Welsh National O... Read More

Herheim tinkers with Tchaikovsky at Covent Garden

Posted on January 14, 2019January 15, 2019 by Michael Church
The Queen of Spades, Royal Opera House, London When is a libretto not a libretto? When it falls into the hands of Stefan Herheim. For this Norwegian director, an opera is something out of which he ma... Read More

Hansel und Gretel – in need of a plot

Posted on December 14, 2018December 17, 2018 by Michael Church
Hansel und Gretel, Royal Opera House The popularity of Engelbert Humperdinck’s Hansel und Gretel goes up and down like a yo-yo. After its premiere – conducted by Richard Strauss, who admired ... Read More

In new directorial hands Holten’s ROH Don Giovanni works brilliantly

Posted on July 2, 2018July 3, 2018 by Michael Church
Don Giovanni, Royal Opera House, London Some revivals save shows, others only serve to highlight their inherent weaknesses. Richard Jones’s replacement for John Copley’s much-loved Covent Garden B... Read More

David Alden’s Lohengrin

Posted on June 8, 2018June 8, 2018 by Michael Church
Lohengrin, Royal Opera House, London Just have faith in our love, says Elsa’s white knight after his arrival in a boat pulled by a swan, making it a condition of matrimony that she should never ask ... Read More

Benjamin’s ‘Lessons’ – lamed by a disastrous libretto

Posted on May 13, 2018May 23, 2018 by Michael Church
Lessons in Love and Violence, Royal Opera House   George Benjamin’s last opera, Written on Skin, has had such glittering international success – notching up more productions per year than Bri... Read More

Lady Macbeth of Mtsensk – Richard Jones’s superb version

Posted on April 13, 2018June 7, 2018 by Michael Church
Lady Macbeth of Mtsensk, Royal Opera House   Like Thomas Hardy with his condemned Tess – ‘a pure woman’ – Dmitry Shostakovich saw the merchant’s wife Katerina Ismailova, aka his double-... Read More

The ROH ‘Macbeth’ – and the galvanising Anna Netrebko

Posted on April 2, 2018April 7, 2018 by Michael Church
Macbeth, Royal Opera House Michael Church After two of the most abysmal new productions I have ever seen – From the House of the Dead at Covent Garden, and La traviata at the Coliseum – a revival ... Read More

‘From the House of the Dead’ – a travesty by Warlikowski

Posted on March 8, 2018March 15, 2018 by Michael Church
From the House of the Dead, Royal Opera House, 7.3.18   Dostoevsky’s novel From the House of the Dead was based on his searing experiences in a Siberian prison. Janacek’s opera faithfully fol... Read More

Monteverdi at the Roundhouse

Posted on February 2, 2018February 3, 2018 by Michael Church
The Return of Ulysses, Roundhouse, 9.1.18 Monteverdi’s Il ritorno d’Ulisse in patria is an ecstatically melodious succession of recitatives, duets, and arias telling of war, exile, love, and reven... Read More
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