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Category: Reviews

A triumphant Katya Kabanova from Richard Jones

Posted on February 7, 2019February 8, 2019 by Michael Church
Katya Kabanova, Royal Opera House It never rains but it pours: three productions of Janacek’s Katya Kabanova running in the same week – excellent ones from Scottish Opera and Welsh National O... Read More

Nobuyuki Tsujii defies the odds

Posted on January 31, 2019February 15, 2019 by Michael Church
Nobuyuki Tsujii, Queen Elizabeth Hall, London Nobuyuki Tsujii was born blind thirty years ago, but a phenomenal talent for music has ensured that he won every prize going in Japan before reaching his... Read More

Herheim tinkers with Tchaikovsky at Covent Garden

Posted on January 14, 2019January 15, 2019 by Michael Church
The Queen of Spades, Royal Opera House, London When is a libretto not a libretto? When it falls into the hands of Stefan Herheim. For this Norwegian director, an opera is something out of which he ma... Read More

Hansel und Gretel – in need of a plot

Posted on December 14, 2018December 17, 2018 by Michael Church
Hansel und Gretel, Royal Opera House The popularity of Engelbert Humperdinck’s Hansel und Gretel goes up and down like a yo-yo. After its premiere – conducted by Richard Strauss, who admired ... Read More

Alan Walker’s magisterial Chopin biography

Posted on December 11, 2018December 16, 2018 by Michael Church
Fryderyk Chopin: A Life and Times By Alan Walker Faber £30.00 727 pp Farrar Strauss & Giroux $40.00 There have been many biographies of Chopin, and countless studies of his works, but this is the... Read More

Mitsuko Uchida’s latter-day Schubert

Posted on December 8, 2018December 10, 2018 by Michael Church
Mitsuko Uchida, Royal Festival Hall ‘Schubert’s music is between life and death; he dreams, with his eyes on the far horizon.’ With these words emblazoned over her programme, this is... Read More

ENO’s War Requiem

Posted on November 17, 2018December 10, 2018 by Michael Church
War Requiem, ENO Benjamin Britten’s War Requiem is all bells, children’s choirs, trumpet calls, choral shouts, solo voices leaping out like flames, and angular melodic lines over a ground-bass of ... Read More

ENO’s triumphant Porgy and Bess

Posted on October 12, 2018October 12, 2018 by Michael Church
Porgy and Bess, ENO Mired in trouble thanks to a series of avoidable but calamitous artistic misjudgements, English National Opera desperately needs a wise hand on the tiller. And if its three-way co-... Read More

English Touring Opera’s cool, intelligent Radamisto

Posted on October 7, 2018October 12, 2018 by Michael Church
Radamisto, Hackney Empire Coming fresh from a clunkily over-heated Ring at Covent Garden, and a deranged travesty of Salome at the Coliseum, it’s sweet relief to encounter English Touring Opera’s ... Read More

ENO’s new Salome, alas

Posted on September 29, 2018October 7, 2018 by Michael Church
Salome, English National Opera ‘We begin in darkness,’ proclaims an essay by Elena Manafi in the programme, ‘a confrontation with the abyss of the feminine.’ Adena Jacobs’s new production of... Read More
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