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Tag: Beethoven

Gerstein, Ohlsson, Hewitt, and the magic of Arcadi Volodos

Posted on March 8, 2019March 14, 2019 by Michael Church
Recital round-up No 53 for International Piano Magazine – April 2019 Wigmore Hall: Kirill Gerstein, Feb 24; Garrick Ohlsson, Feb 27 Royal Festival Hall: Angela Hewitt, Feb 26 Barbican: Arcadi Volodo... Read More

The Leeds International Piano Comnpetition, 2018

Posted on September 20, 2018September 22, 2018 by Michael Church
Leeds International Piano Competition, 2018 When the redoubtable Fanny Waterman set up the Leeds Piano Competition in 1963, no one could have predicted its longevity, or the effect it would have on pi... Read More

In praise of Paul Lewis

Posted on June 8, 2018June 10, 2018 by Michael Church
Paul Lewis, Royal Festival Hall, London The British pianist Paul Lewis doesn’t have a wide repertoire, but he focuses on his chosen composers with white-hot intensity. For a while this meant wall-to... Read More

Chineke! ushers in a triumphant makeover for the Queen Elizabeth Hall

Posted on April 10, 2018June 7, 2018 by Michael Church
Chineke! Queen Elizabeth Hall   Over the last half-century the outbuildings of the Royal Festival Hall have been threatened with one grandiose makeover after another: people have always been ambi... Read More

Kissin at the Barbican

Posted on March 30, 2018April 1, 2018 by Michael Church
Evgeny Kissin, Barbican Now forty-seven, Evgeny Kissin is no longer music’s most miraculous child: he’s become a trim and stately middle-aged gent, and his pianism has matured commensurately. Itâ€... Read More

London recitals: Montero, Trifonov, Gavric, Olafsson, Jacobson

Posted on February 2, 2018February 4, 2018 by Michael Church
  Wigmore Hall: Gabriela Montero, Nov 14; Daniil Trifonov, Dec 7u; Ivana Gavric, Dec 28 St John’s Smith Square: Vikingur Olafsson, Nov 15; Julian Jacobson, Nov 26 It’s not keyboard artistry w... Read More

Ferschtman and Rabinovich… Schiff…Perenyi…

Posted on December 31, 2017January 6, 2018 by Michael Church
Liza Ferschtman/Roman Rabinovich, Wigmore Hall, 30.12.17   Roman Rabinovich – credit Balazs Borocz When a work is described as ‘uncommonly difficult for all concerned’, as Gerald Larner... Read More

The Emersons play the Grosse Fuge

Posted on November 2, 2017November 2, 2017 by Michael Church
Emerson Quartet, St John’s Smith Square, London, 1.11.17   ‘Incomprehensible’ was one leading critic’s verdict when Beethoven’s Grosse Fuge was premiered in 1825. ‘This work will be c... Read More

Evgeny Kissin, a child of history

Posted on July 6, 2017July 26, 2017 by Michael Church
Emerging from a rare sabbatical, Evgeny Kissin – the world’s most acclaimed classical pianist – has just published his autobiography. He has also just married a childhood friend, and he’s ... Read More

Is ‘late style’ a meaningful critical concept?

Posted on March 20, 2017January 12, 2018 by Michael Church
Out, brief candle! As life nears its end, thoughts can acquire urgent clarity. This truth may not be particularly perceptible in literature, because novelists find endless ways of disguising it. But i... Read More
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