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Tag: ENO

A hit and a terrible own-goal at ENO

Posted on February 25, 2025July 26, 2025 by Michael Church
The Marriage of Figaro Coliseum, London With ENO fighting for their life, it’s vital that their output should be top quality, so last week I sampled two nights in a row. First up was a revival of Mi... Read More

Splendour and misery at ENO – was there no doctor in the house?

Posted on February 10, 2025February 13, 2025 by Michael Church
The Marriage of Figaro Coliseum, London ★★ Michael Church With ENO fighting for their lives, it’s vital that their output should be top quality, so last week I sampled them two nights in a row. ... Read More

McGregor’s Orpheus – another amateurish ENO production

Posted on October 2, 2019October 7, 2019 by Michael Church
Orpheus and Eurydice, ENO The most unforgettable stage debut I ever saw was on the evening of 11 September 2001. I was at the Coliseum, New York’s Twin Towers had just collapsed, and Manhattan was b... Read More

The Merry Widow at ENO

Posted on March 2, 2019March 5, 2019 by Michael Church
The Merry Widow, ENO Nobody ever complains when Ko-Ko’s ‘little list’ in The Mikado is updated to suit the temper of the times, and nobody complains that April de Angelis’s book for ENO’s Me... Read More

ENO’s War Requiem

Posted on November 17, 2018December 10, 2018 by Michael Church
War Requiem, ENO Benjamin Britten’s War Requiem is all bells, children’s choirs, trumpet calls, choral shouts, solo voices leaping out like flames, and angular melodic lines over a ground-bass of ... Read More

ENO’s triumphant Porgy and Bess

Posted on October 12, 2018October 12, 2018 by Michael Church
Porgy and Bess, ENO Mired in trouble thanks to a series of avoidable but calamitous artistic misjudgements, English National Opera desperately needs a wise hand on the tiller. And if its three-way co-... Read More

ENO’s new Salome, alas

Posted on September 29, 2018October 7, 2018 by Michael Church
Salome, English National Opera ‘We begin in darkness,’ proclaims an essay by Elena Manafi in the programme, ‘a confrontation with the abyss of the feminine.’ Adena Jacobs’s new production of... Read More

Paul Bunyan at Wilton’s

Posted on September 20, 2018September 23, 2018 by Michael Church
Paul Bunyan, ENO at Wilton’s As the poet Stephen Spender lamented, Britain never got the great opera which should have resulted from that seemingly dream pairing, Benjamin Britten and WH Auden. The... Read More

Fiona Shaw’s ‘Figaro’ – saved by superb singing

Posted on April 5, 2018April 5, 2018 by Michael Church
The Marriage of Figaro, ENO   Fiona Shaw’s production of The Marriage of Figaro didn’t fire on all cylinders when it premiered, and after its second revival there are still problems, some of ... Read More

ENO’s new Traviata – even worse than its predecessor

Posted on March 26, 2018March 28, 2018 by Michael Church
La traviata, Coliseum, London As nights at the opera go, this was a strange one. By the end of Act One I was eager to leave, and I felt pretty much the same about Act Two, but Act Three, which must co... Read More
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Recent Posts

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  • A hit and a terrible own-goal at ENO
  • Splendour and misery at ENO – was there no doctor in the house?
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